\”Written and directed by Jesse Eisenberg, A Real Pain sees two cousins reunite after a long period. David (Eisenberg) and Benji (Kieran Culkin) were raised together and were around each other so much growing up that they were brothers. They meet up in the present day for a Poland Holocaust tour that culminates with them visiting the house that once belonged to their grandmother. David and Benji are at two different stages of life despite being a few months apart. David has a full-time job, a wife, and a kid while Benji is single and doesn’t have a job. While David has fond memories of their grandmother, she was Benji’s favorite person in the world and her death took a huge toll on him that he still hasn’t gotten over. The two estranged cousins are complete opposites of one another. David plays it safe and is typically very quiet while adhering to the rules that are laid out before him. Benji is outspoken, charming, and doesn’t care what people think. People always know how he feels, which isn’t always a good thing since his moods change on a whim. The performances are interesting because Jesse Eisenberg has always had this kind of neurotic demeanor about him as an actor (talks fast with few pauses, is anxious around other people, totally awkward). Leave it to a film that he writes, directs, and stars in for him to play the more grounded of the two main characters. When Benji’s unusual behavior becomes unbearable, David cracks under the pressure of trying to hold it together and be the more level-headed of the two. Eisenberg portrays frustration, anger, sadness, and love in a way that is relatable and believable. Kieran Culkin steals nearly every scene he’s in as Benji. As a character, Benji has a way of being the center of attention without really trying. He speaks his mind and does what he wants. He doesn’t care if he comes as rude or down to earth or like an asshole. He is effortlessly charismatic and funny with a ton of potential to be more than he is. But he’s also broken and the entire tour group can see that. Like Benji wears on David, he can be overbearing at times to the audience but that also makes the character feel that much more genuine. There’s a fine line between paying respect and being blasphemous in A Real Pain. David doesn’t want to be disrespectful in any way while Benji makes his decision based on how he feels. For example, posing dramatically and humorously in front of a monument honoring those who gave their lives during the war could be seen as therapeutic or shameful. Later in the film, the tour group doesn’t see an issue traveling in a first-class train car while Benji is immensely offended since Jews were forced to ride in the very back of the train. The film is written in a way that reveals a bit more behind each cousin as the film progresses. What begins as two cousins traveling to Poland and paying respect to their grandmother evolves into David worrying whether or not Benji can survive on his own while Benji is upset that he doesn’t hear from David much anymore because he’s a family man with a career. They’re two different sides of the same coin: one cousin is taking life too seriously while the other doesn’t take it seriously enough. And as a neutral party watching this all unfold, you can see the benefits and shortcomings of both sides. Being married, having a child, and having a full-time job takes up all your free time. On the other hand, not having a job leaves you with more time to feel like no one has time for you anymore. Both cousins are at an impasse and maybe that’s the takeaway from A Real Pain: to make do and appreciate what you’ve got. And the film ends in a way that doesn’t resolve anything. As adults, we age, get invested in our careers, and drift away from friends and family who were once close because of our commitments as responsible people. A Real Pain touches on that concept. The more we want things to change and the more we want our loved ones to be safe and happy there’s only so much we can do before we go back to our regularly scheduled and separate lives. We just have to hope that that bond and nostalgia that we share is enough until we’re able to meet again. Just because you reach out doesn’t mean things will get better. It lets that loved one know you care and sometimes that’s enough. A Real Pain capitalizes on the ups and downs of traveling with a family member. You love them and have a deep connection with them, but they also annoy you to no end and are reminded why you don’t see them more often. Jesse Eisenberg has made a film that is emotionally powerful and unbelievably relatable while Kieran Culkin delivers an exhaustingly mesmerizing performance loaded with depth and relentless magnetism. The way the film revolves around such flawed individuals makes them feel grounded in reality and A Real Pain feels like bona fide cinema because of it.”

Chris Sawin