\”Sean Connery at least looks like he's having some fun in this otherwise rather dry adaptation of the John Le Carré tale of Cold War espionage. He's "Barley", a publisher who is recruited by MI5 to investigate a secret document sent from the USSR purporting to itemise their nuclear arsenal. Needless to say both the British and their CIA counterparts are wetting themselves at the very thought of this being real, but that needs to be verified - and that's where they recruit "Barley". He travels to Moscow to meet the author, codenamed "Dante" (Klaus Maria Brandauer) and it's whilst there he becomes increasingly distracted by his "editor" (Michelle Pfeiffer) - a woman whom his source claims never to have met! As the plot develops, it becomes clear that strings are being pulled but also that "Barley" is beginning to think on his own, and not necessarily with his brain either. Will he stick to the plan or will he throw a spanner in the works of his Western handlers? It's a solid enough story but it's padded out far too thinly. There's no chemistry between the characters from Connery and Pfeiffer (and her ropey accent) and though there are plenty of red herrings to fuel the intrigue, that's all delivered in a remarkably sterile and disjointed fashion. Le Carré's stories always focussed on detail and this film rather skirts over that in favour of developing the burgeoning romance, and that rather neuters the sense of suspense that's also not really helped by the blandness of James Fox and Roy Scheider. It's watchable, but nobody's finest two hours.”

CinemaSerf