\”Many films about the special relationship between man and his four-legged best friend have been made over the years, and it’s a formula that nearly always manages to please. So it is with the latest offering from writer-director Guan Hu, the story of a former inmate who’s been paroled to his hometown on the fringe of the Gobi Desert in northwestern China after 10 years in prison for a manslaughter conviction, an incident in which he had apparently become unwittingly involved. As he seeks to make amends for his past and start his life over, former motorcycle stunt artist/musician Lang Yonghui (Eddie Peng) returns to his roots as China had become engaged in an aggressive, ongoing national program of upgrading its infrastructure in preparation for the 2008 Beijing Olympics. In this case, this undertaking is a much-needed improvement for a faltering community that has become seriously run down and depopulated. And that exodus, in turn, has created a secondary problem: as many former residents departed, they abandoned their pets (especially dogs), creating a population of strays that has now ballooned to overwhelming proportions. Given this preponderance of feral canines – many of whom have become unruly, vicious and a public health risk – local authorities are in desperate need of help in rounding them up. In light of that, as part of Lang’s government-sanctioned reintegration program, he is assigned to a job in animal control. But, as something of an unassuming soft touch, he struggles to carry out his duties. That becomes particularly true when he’s charged with corralling a gaunt, mangy, assertively territorial black dog (Xin) suspected of having rabies, a scenario that leads to a decidedly belligerent confrontation between man and beast. However, once the stray is in custody, Lang and his captive begin developing an unexpectedly close bond. Lang ends up adopting the pooch, and they thus embark on an odyssey of self-discovery for themselves and one another as they work through issues of their own making and the exploration of their newfound relationship. The result is a heartwarming tale filled with genuine affection and loving mutual support, admittedly sometimes a tad obvious in their depiction but undoubtedly always sincere to the core. The narrative truly works best when it focuses on this primary relationship, a story thread that, regrettably, is sometimes intruded upon a little too much by an array of subplots whose variable, sometimes under-explained development and occasionally meandering nature can detract from what works best. Nevertheless, these minor distractions aside, “Black Dog” is an otherwise-engaging, enjoyable saga of two outcasts in search of redemption and the wonders that the power of friendship can work for those looking to get their lives back on track. But, then, that’s why our four-legged furry companions have deservedly earned their reputation as man’s best friends. This winner of the 2024 Cannes Film Festival Un Certain Regard Award and Independent Spirit Award nominee for Best International Film is available for streaming online.”

Brent Marchant