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The Godfather

8.7
  • Drama, Crime
  • RunTime : 175 minutes
  • Release Date : 1972-03-14
  • Production Company : Paramount Pictures
  • Production Country : United States of America

  • Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attemp
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    • Tags:
    • Drama, Crime
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    • Details
    • Reviews
    Description
    Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attemp
    Genres
    Drama, Crime
    Spoken languages
    English, Italiano, Latin
    Budget
    6000000$

    \”The best movie ever... A masterpiece by the young and talented Francis Ford Coppola, about a Mob family and their drama, the story telling is perfect, the acting good, sometimes a little over the top in the case of Thalia Shire (the sister of the director) The 70's were the best years for Hollywood.”

    crastana

    \”While I'm writing this, The Godfather is still beloved by people who love it simply because they are told they have to love it. It's written by a mobster with the sole intention of depicting the lead mobsters as demi gods. Every line and every scene in the movie and the book is meant to intimidate people into thinking the "Mafia" and really any mob, is a supernatural force. This is a movie glorifying control freaks, and most critics are control freaks, and most critics are either in the mob or think they can join the mob. The movie itself is dull and totally uninspiring, not to mention totally uninspired. For fifty years, the sheep have been cowing to the control freaks who tell them to love this movie that degrades them. There just isn't anything favorable about this movie. It owes its success to people who have interests in the movie or think they can get brownie points with such people. It's totally Hollywood in its depressing nature, and even in the seventies it was a formula film.”

    drystyx

    \”When you get a story written quite this magnificently it would take an extreme amateur to screw it up - and Francis Ford Coppola is no amateur. Marlon Brando, Al Pacino, James Caan and Robert Duvall represent the epitome of guile, sophistication, loyalty, honour and brutality in this self-adapted Mario Puzo story of the unambiguously ambitious "Corleone" family - they start with nothing and so the only way is up; however and whatever they need to do to get there. The characterisations are layered and colourful; Diane Keaton has no idea what she's getting herself into! John Cazale is great as the spineless brother "Fredo" too. Once again, Nino Rota pulls out all the stops to give this a score that helps cement this film's place as amongst the best ever made. My only criticism, and it is slight at that, is that the audio mix could have done with a bit of a boost. Much of the dialogue - especially from Brando - verges on the inaudible at times.”

    CinemaSerf

    \”Great Movie **Ever**”

    Surya

    \”The Godfather (1972), directed by the legendary Francis Ford Coppola, is nothing short of a cinematic masterpiece that redefined storytelling in film. Based on Mario Puzo’s bestselling novel, the movie seamlessly blends crime drama with an epic exploration of power, loyalty, and family. Every frame is a testament to Coppola’s brilliance, as he transforms a gripping tale into a timeless work of art. At the center of this monumental film is Marlon Brando’s unforgettable performance as Vito Corleone. Brando masterfully embodies the aging patriarch with an aura of quiet menace and profound wisdom, earning him a well-deserved Academy Award for Best Actor. Al Pacino delivers a career-defining performance as Michael Corleone, evolving from a reluctant outsider to a ruthless leader in a chilling, yet utterly believable transformation. James Caan as the fiery Sonny Corleone and Robert Duvall as the cool-headed consigliere Tom Hagen also shine, each adding complexity and depth to their roles. Coppola’s direction is nothing short of visionary. His ability to craft an intricate narrative while maintaining a deliberate pace allows the characters and themes to breathe. The cinematography by Gordon Willis, often referred to as the “Prince of Darkness,” enhances the film’s iconic look, using shadows and warm tones to convey a sense of both intimacy and foreboding. Nino Rota’s haunting score, particularly the famous Godfather Waltz, further elevates the film into legend. A fun fact: The studio initially resisted casting Marlon Brando, who was considered difficult to work with at the time. Coppola had to fight for him and famously convinced the studio by showing a test reel of Brando stuffing his cheeks with cotton balls to transform into the iconic Don Vito Corleone. The rest, as they say, is history. The Godfather isn’t just a movie—it’s an experience. It’s a study of power and morality, a family saga, and a crime thriller all rolled into one. Its influence on filmmaking is immeasurable, and its performances, direction, and storytelling remain unparalleled. This is a film that stands the test of time, and for good reason: it’s a masterpiece in every sense of the word.”

    RalphRahal
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