\”This is insane, which is why I really like it. It's original, it had my attention throughout the entire runtime, and I can't remember the last time I got this many chills--maybe never! I'll admit it fails to ever become cohesive but it's got so much fucking flavour that I can't not gulp it down. What would one call this? Artsy schlock? This is artsy schlock. This is my initial rating upon a first watch; it is possible I will feel differently about the film on a second watch.”

tmdb15214618

\”One of the weirder films I've seen recently. And I like weird, I just don't like... This. Credit where credit's due though, both Anne Hathaway and Jason Clarke are **one hundred percent** believable in their roles, which is impressive given the setting, and... Terrifying, given their relationship dynamic. _Final rating:★½: - Boring/disappointing. Avoid where possible._”

Gimly

\”If you never heard of Serenity before, you’re not alone because neither had I. The movie was in and out of theaters making a mere $11.4 million off of a reasonable $25 million budget. But one of the best perks of reviewing is getting to see films I might’ve otherwise skipped and boy was Serenity one hell of a ride. Well, more of a ride that’s on a collision course toward a semi, but still… Here is the basic plot synopsis: Baker Dill (MATTHEW MCCONAUHEY) is a fishing boat captain who leads tours off of the tranquil enclave of Plymouth Island. His peaceful life is soon shattered when his ex-wife Karen (ANNE HATHAWAY) tracks him down. Desperate for help, Karen begs Baker to save her — and their young son — from her abusive husband (JASON CLARKE). She wants him to take the brute out for a fishing excursion — then throw him overboard to the sharks. Thrust back into a life that he wanted to forget, Baker now finds himself struggling to choose between right and wrong. Sounds simple enough, no? While indeed that does happen in the movie, where I thought I was getting some sort of modern-day film noir, what eventually we get is more along the lines of The Truman Show. Despite the insanity that I was watching and how some of it makes no sense whatsoever, I have to admit, I kind of was entertained by it all. First, the performances are, well, uneven. The supporting players of the respectable actors which included Djimon Hounsou as Dill’s skipper and Diane Lane playing the sugar momma. However, McConaughey switched back and forth from mild mannered to over-the-top, where I wonder if he got to the point where he realized just what a messy movie he had signed on to. Hathaway was decent enough, although she did feel like a character out of an old-time film noir while Jason Clarke went full-on portraying a loutish, all-around despicable human being, necessary if you want your main character to even consider murdering the guy. Outside of my reference to The Truman Show, I won’t go much further as not to spoil the twist, though it is one maybe M. Night Shyamalan would probably appreciate… And I suppose I did as well, even if it didn’t make a lick of sense, even days later thinking upon what the hell exactly happened. That being said, it certainly was one of the more unique, and bewildering, viewing experiences of the last few years. Serenity was the brainchild of Steven Knight, Academy Award nominee for writing Dirty Pretty Things and who has also written the screenplays for Eastern Promises, Allied and The Girl in the Spider’s Web amongst others. This also marks his third film in the director’s chair following the Jason Statham thriller Redemption and Locke starring Tom Hardy, both movies released back in 2013.”

JPV852

\”Good watch, could watch again, and can recommend. This is probably more interesting than good when it comes down to it. I'm not a big fan of Matthew McConaughey or Jason Clarke, but they sure nail all the crazy in their roles. Djimon Hounsou probably has the only character that isn't crazy to some degree. The "Moby Dick" reference is strong, but the story structure allows for theming to evolve as the story continues. Each arc is interesting as if it is a new story using the same characters. While the journey definitely carries some intensity with it, the end is a bit vague and may leave you questioning not only what happened in the movie, but questioning reality.”

Kamurai