\”'Proxima' isn't a visually flashy film, it's naturalistic and almost documentary-like in its approach - the end credits are even accompanied by photos of real-life female astronauts. But this only enhances the intimacy of this earthbound drama about a high-achieving woman's trauma at the thought of leaving her young daughter behind her. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-proxima-an-earthbound-drama-about-motherhood”

SWITCH.

\”I was really disappointed with this rather dull, dreary documentary-style story about "Sarah" (Eva Green) who has dreamed since she was a child of going into space. When her opportunity arrives, she must face the rigours of the training, segregation and quarantine which hit her much harder than she had anticipated - and cause her to miss her young daughter, the rather engaging Zélie Boulant ("Stella") dreadfully. The problem with this film is that aside from some pictures of the Kazakh spaceport and some weight-water training, it could be about absolutely anything. Any mother (or, indeed father) who has to dedicate themself unconditionally to a job might reasonably feel the same senses of loneliness and despair and though Eva Green (or rather, her eyes) do manage to convey some of the sheer exhaustion her character might be feeling during this extensive period of preparation, again it could be for an ultra-marathon or a cross-channel swim! It's been a while since I've seen Matt Dillon on screen, and he adds nothing to this vanity project for polyglots.”

CinemaSerf