\”Animation has such an important job. The messages I was talking about earlier are not just intended to teach kids things - we learn from them too. I think that's what made 'Onward' a little disappointing: I didn't come out having learned something new in the context of my adult life. Nonetheless, it's still a lovely allegorical tale that promotes brotherhood, adventure and generosity. Animation's got a big duty of shaping up future generations from a young age, and they can't always deliver the goods for all. With that, I sign off - eagerly awaiting Pixar's next drop where, fingers crossed, I get to discover something new too... don't forget the big kids, Pixar. - Lily Meek Read Lily's full article... https://www.maketheswitch.com.au/article/review-onward-not-the-fairytale-pixar-film-we-wanted”

SWITCH.

\”Onward is a family quest that delights (Boom Bastia!) and pulls at your heartstrings along the unpredictable Path of Peril. There is a delicate balance between tear-jerking moments and comic relief that Pixar and Disney have been known to master throughout many of their films. If you can look past the Pixar and Disney blueprint of the missing family member tragedy you’ll find many successful attempts to modernize the film to relate to many ages and families. Read the full review at FeaturedAnimation.com.”

Brandon

\”Unicorns, pixies, elves, and wizards have lost the magic of the past in “Onward,” a formulaic animated adventure from Pixar. Set in a suburban world of fantasy, the film tells the story of two teenage brothers who embark on a quest to find a magic gem that could hold the key to a little familial enchantment. Ian (Tom Holland) and his older brother Barley (Chris Pratt) are still mourning the death of their father several years ago. Ian was just a baby when he died, and Barley barely has any memories of his dad. When mom (Julia Louis-Dreyfus) gives Ian a gift that his departed pop left for his 16th birthday, it turns out to be a wizard’s staff with instructions for a visitation spell that can bring the patriarch back for one day only. Something goes wrong, and the two siblings must set out on a danger-filled journey to find the missing piece of the puzzle before the sun sets. Onscreen adventures are supposed to be exciting, but this one is considerably dull. The story feels very personal yet unfortunately sanitized for broader audience appeal. It works best when the story leans on the theme of reconnecting with your family, especially as the two brothers use their road trip as a way to bond over their differing ways of dealing with grief and regret. It’s poignant, and the film’s sincerity is a heartwarming reminder that we shouldn’t waste what precious time we have left. The movie has a weird “Weekend at Bernie’s” vibe as the two teens drive around in a rock n’ roll van with the bottom half of their reanimated dad in tow. It’s not very funny, and the heavy themes of loss and the meaning of family will likely resonate with those who’ve lost a loved one and still yearn for one more day. It’s a strange film with and unsatisfying ending that doesn’t really pay off. “Onward” doesn’t make the most of its solid premise, which is a real shame. The plot is repetitive and predictable; the story sentimental and drawn out. It’s one of the weakest films in the Pixar catalog, but it does meet the studio’s basic checklist for acceptable quality (great animation, good voice performances, mediocre story). It could benefit from a little extra sprinkling of magic.”

Louisa Moore - Screen Zealots

\”Chock full of contrivances and just straight up contradictions, both which annoyed me to a pretty severe degree, but there was enough cutesy stuff in my lane to keep me from actively disliking it. Not a fan of the naming convention though. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._”

Gimly

\”Solid. I enjoyed 'Onward'. It sets up a cool world filled with intrigue, whilst also having a heartwarming story and good lead voice actors. It doesn't, at least for me, hit every hearty note it attempts but you definitely end up caring for the main two characters. Tom Holland (Ian) and Chris Pratt (Barley) are a smart pairing, they work together nicely. I don't love those around the Lightfoot brothers, the stuff with Laurel and Corey isn't all that interesting even if Julia Louis-Dreyfus and Octavia Spencer are fine choices as their voices. Overall, a good watch.”

r96sk

\”This is my kind of action animation. Two elves go on the hunt for the teeny weeniest bit of magic that might just enable them to catch up with their late father who passed away before they really got much chance to know him. What they didn't do before they set off on their quest, though, was tell mum ("Laurel"). She's narked - and worried - so elicits the help of the powerful "Manticore" and sets off in hot pursuit. It's good fun this, from start to finish. The combination of a strong adventure story full of myth, magic, peril (and totally devoid of romance) is complemented by some super animation and some wonderful creatures - including the hybrid scorpion/lion/eagle creature travelling with their almost as menacing mum. The script is entertaining and sparing - it's not just endless gibbering as our not particularly intrepid or heroic brothers try to reconvene with their dad before all it's just too late. It's a big screen delight this, and has plenty for the grown ups - especially if you are into legends - to enjoy too. Perhaps not the best title, but it's good stuff!”

CinemaSerf